
Introduction
Acknowledgements
Preface
One
Suspending Judgment: The Post-Industrial City
Transformed
The Japanese Urban Continuum
Industrial Archipelago
The Port of Nagoya
Interchange
Enterprise Zone
Terminal
Kinjo Pier Logistics Terminal
Interface
The Bridge of Hesitation
Strategies of the Void
Workplace
Two
Generic City
The Ville Radieuse Legacy
The Radiant City in Japan
Agents of Transformation and the "Death" of Urbanism
Nagoyas New City
Mobility vs. Proximity
The Problem of Quantity
Preeminence of the Decorated Shed
Dead Space
Defunct Strategies
The Fourth Skin
Trauma of the New Interior
Death of the Façade
Zero-Degree Architecture
The Workplace Revisited
Three
Staging Uncertainty
Vivicities
Infratecture
Unveiling the Hidden Order
The New Fringe
Cité Post-Industrielle
Wiring the City
Complex Program
Eye of the Storm
In Place of the Public?
References |
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[2M2] THE PROBLEM OF QUANTITY.
Technology is indeed a
two-faced animal; one side offers delicious promises of speed and freedom (Futurism), and
the other gives us alienation and instability ("All that is solid melts into
air..."). Technology feeds on itself, giving us more speed, more tools, and more
opportunities, more and more often; hence, the problem of quantity. The spatial
consequences of quantity are obvious. Today, networks are broader, buffer zones are wider,
and areas allocated for temporary storage (parking lots, container yards) are larger than
ever before. How, then, will our cities meet our demands for accessibility as they expand
further away from us? Furthermore, how can cities (and technologies) become more
comprehensible and easier to use while they grow more complex? We can only answer these
questions if we understand the interdependencies between mobility and proximity, and
project means for their successful physical implementation.
As a result of the spatial
consequences of quantity, the sprawling, uncontrollable megalopolis that we call the
post-industrial city is an atomized, fragmented, and incomprehensible organism. Peter
Papademetriou offers this explanation of Houston: "Characteristic of the new city are
the dynamics of growth, change, and an expanded scale of space and time. Houston as a
totality is demanding because its very boundaries exist at a dimension greater than simple
human experience."77 One is reminded of Roger Caillois
"psychasthenic" subject, who feels engulfed by space, unable to discern his/her
place within it, and therefore cannot distinguish between the limits of his/her body and
of space. With regard to this disabling agoraphobia, we have no choice but to address the
new city on its own terms. Papademetriou says that "in the spread-out environment of
relatively low density which the evolving city has become, the nature of these patterns of
association demands an expansion of personal consciousness."78

The new city poses a number of
challenges to architects. Developments are characteristically greater in scale, with a
higher level of complexity, than ever before. Furthermore, time-frames for project
execution are shorter than ever before. Architects, who are by nature at odds with the
notion of quantity, have had a pathetically minimal role in shaping the new city. It is
instead the territory of the developer, the bureaucrat, and the engineer. The results are,
as one can easily see, mediocre at best.
The post-industrial city is home to
a new type of building. It is structurally simple, largely prefabricated, inexpensive, and
relatively flexible. More importantly, it is big. In a lecture made at Rice University in
1991, Rem Koolhaas observed the following:
In a
building beyond a certain size, the scale becomes so enormous and the distance between
center and perimeter, or core and skin, becomes so vast that the exterior can no longer
hope to make any precise disclosure about the interior. In other words, the humanist
relationship between exterior and interior, based upon an expectation that the exterior
will make certain disclosures and revelations about the interior, is broken. The two
become completely autonomous, separate projects, to be pursued independently, with no
apparent connection.
The
second characteristic of this new, mutant scale of architecture if the fact that within
such a building, the distances between one component and another, between one programmatic
entity and another, also become so enormous that there is an autonomy of independence of
spatial elements.79
A year
later, in his investigation of the port of Yokohama in 1992, Koolhaas wrote, "At
Minato Mirai we saw the emergence of a particular building typology, one we will soon have
to recognize as the dominant typology: a completely inarticulate container with no
architectural pretensions, whose only purpose is to accommodate certain processes or
offices, and which simply represents a massive quantity of square meters imposed on an
urban site without any more positive contribution."80 This is precisely
the new typology I have been addressing. With few differences, it is the same throughout
the world. The circumstances for development in new enterprise zones such as Minato Mirai
are conducive for this type of building; it is fast, cheap, and easy.
In his evaluation of the Alliance Development north
of Fort Worth, where this typology is ubiquitous, Mark Wamble posits that "it is
possible to think of a building as having an interior without an exterior."81
He uses the electronic/biological metaphor of "the circuit and the cell" to
describe a new territory of architectural potential, in which one could conceptualize
"a vast interior landscape of cells according to the circuitry of an even larger
field of activity."82 This metaphor proposes a rethinking of
Hilberseimers cell within a condition of interiority. The resulting strategy is
"to develop the cells each extra-small by comparison to the overall structure
without an imageable relationship to the whole... the objective [is] to
develop the relationship between the cellular disposition of the interior as a work
environment, and the operative circuitry of its global terrain."83 Such an
approach necessitates the ability to comprehend a multiplicity of scales within the
spatiotemporal framework of the enterprise zone a true challenge for the average
architect.
77Papademetriou,
Peter, Houston, an Architectural Guide (American Institute of Architects, 1972) p.
1
78Ibid., p. 2
79Koolhaas,
Rem, Rem Koolhaas: Conversations with Students (New York: Princeton Architectural
Press, 1996) p. 15-16
80Koolhaas, Rem, "Programmatic Lava" in S,
M, L, XL (New York: The Monacelli Press, 1995) p. 1216
81Wamble,
Mark, "The Circuit and the Cell" (unpublished)
82Ibid.
83Ibid. |