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Introduction

Acknowledgements

Preface

One

Suspending Judgment: The Post-Industrial City Transformed

The Japanese Urban Continuum

Industrial Archipelago

The Port of Nagoya

Interchange

Enterprise Zone

Terminal

Kinjo Pier Logistics Terminal

Interface

The Bridge of Hesitation

Strategies of the Void

Workplace

Two

Generic City

The Ville Radieuse Legacy

The Radiant City in Japan

Agents of Transformation and the "Death" of Urbanism

Nagoya’s New City

Mobility vs. Proximity

The Problem of Quantity

Preeminence of the Decorated Shed

Dead Space

Defunct Strategies

The Fourth Skin

Trauma of the New Interior

Death of the Façade

Zero-Degree Architecture

The Workplace Revisited

Three

Staging Uncertainty

Vivicities

Infratecture

Unveiling the Hidden Order

The New Fringe

Cité Post-Industrielle

Wiring the City

Complex Program

Eye of the Storm

In Place of the Public?

References

[2S3] DEATH OF THE FAÇADE.

International Exhibition Hall, Kinjo Pier, Nagoya

As the ‘trauma of the new interior’ would suggest, the façade is no longer a predominant issue of architectural concern. The decorated shed has become irrelevant; the mechanisms and operations of the interior take precedence. The traditional, institutional models for architecture (best represented by Ledoux’s or Rossi’s typologies) have broken down in the wake of this globalized interior. As geopolitical boundaries become irrelevant, our former monuments and symbols of power are questioned. With mass distribution of digital networks, the very idea of a building-as-object representing a particular function is dead. Where, for example, is the library now ‘housed’ when the internet is one giant card-catalog for an ever-increasing world of digital information? Where is the stock market located if not within every Bloomberg Box in every airport lounge in the world? Where is the university or office or hospital embodied, if not in the remote-access tools used by the telecommuting student, employee, or doctor? I am not suggesting with these examples that architecture has become irrelevant; nothing could be further from the truth. However, our comfortable notion that the skin of a building conveys a particular symbolic, functional representation is outmoded. William Mitchell corroborates:

At an urban scale, [buildings] make vivid social distinctions by creating readily identifiable, physically discrete domains. But categories lose their clarity, and rites of passage require redefinition, when the uses of built space are no longer permanently assigned and depend from minute to minute on software and the fleeting flow of bits.

Thus there will be profound ideological significance in the architectural recombinations that follow from electronic dissolution of traditional building types and of spatial and temporal patterns... [a transformation which will] alter the basic fabric of our lives.101

Today, architects’ perpetual assertion of the façade as the predominant design issue is a failure. While the skin of a building is obviously important, the mechanics of the interior take precedence. Yet, architects fail to recognize this issue, and continue to design shells which are later filled with generic, poorly functioning spaces. With the advent of the interior city, we are spending more time indoors than ever before. Yet architects largely concentrate on aspects of a building which are further and further removed from our realm of experience. The job of many architects is now reduced to placing the corporate logo on the side of a tilt-up concrete box facing the highway, to be viewed only by the passing commuter. Meanwhile, our experience of the new interior is one of sheer ennui; without the understanding and enhancement of operational diversity and complexity, as well as the various potential innovative and legible forms which these qualities inspire, the interior will remain a vast, homogeneous wasteland. We live in an age of recombinant architecture. This architecture must be designed from the inside.


101Mitchell, William J., City of Bits (Cambridge, Massachusetts: The MIT Press, 1995) p. 101-103

Images: 1. International Exhibition Hall, Kinjo Pier, Nagoya

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A Master's Thesis in Architecture at Rice University by Blaine Brownell.

Copyright © 1998 by Blaine Brownell. All rights reserved.