
Introduction
Acknowledgements
Preface
One
Suspending Judgment: The Post-Industrial City
Transformed
The Japanese Urban Continuum
Industrial Archipelago
The Port of Nagoya
Interchange
Enterprise Zone
Terminal
Kinjo Pier Logistics Terminal
Interface
The Bridge of Hesitation
Strategies of the Void
Workplace
Two
Generic City
The Ville Radieuse Legacy
The Radiant City in Japan
Agents of Transformation and the "Death" of Urbanism
Nagoyas New City
Mobility vs. Proximity
The Problem of Quantity
Preeminence of the Decorated Shed
Dead Space
Defunct Strategies
The Fourth Skin
Trauma of the New Interior
Death of the Façade
Zero-Degree Architecture
The Workplace Revisited
Three
Staging Uncertainty
Vivicities
Infratecture
Unveiling the Hidden Order
The New Fringe
Cité Post-Industrielle
Wiring the City
Complex Program
Eye of the Storm
In Place of the Public?
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acknowledgements
This thesis developed out of
the thriving incubator of ideas about the post-industrial urban phenomenon which is the
Rice School of Architecture. I am therefore indebted to the many faculty members and
students who have contributed to the content of this project, whether directly or
indirectly. I would like to thank the members of my thesis committee: Mark Wamble,
for his ingenious development of a new fertile territory for architecture based on complex
programming and the circuit and the cell; Albert Pope, for his
ground-breaking work on post-war city growth and the idea of urban implosion; and John
Casbarian, for his thorough development of methodological processes in architecture. I
greatly appreciate the encouragement, patience, and critique which they all generously
supplied. I would also like to thank Lars Lerup, Dean of the School of
Architecture, for being an unspoken fourth committee member, as well as other teachers who
inspired and challenged me: Michael Bell, Yung-Ho Chang, Elysabeth Gamard,
Diane Ghirardo, Richard Ingersoll, Keith Krumweide, Robert
Mangurian, Eric Ragne, Mary Ann Ray and Alex Wall. Essential to
my experience at Rice were my fellow students, and I would like to thank them all. I would
especially like to thank Shelly Pottorf and Ben Thorne for two unforgettable
design collaborations, and the thesis "project team" (in order of appearance): Brian
Burke, Nicola Springer, Logan Ray, Tim Gordon, and Kyle Morrow
for all their help during the home stretch. I would like to thank Dean Lerup retroactively
for his encouraging words which persuaded me to choose Rice in the first place: "The
decision to join us in Houston demands energy, and it may demand courage, but the
prospects are exhilarating: the struggle for a city, the discovery of the Other Coast, and
the chance to truly excel."2
I would like to thank the family of
John T. Mitchell for generously supporting my travels to Japan, as well as my
mentors and friends who provided so much for me there: Charles and Yuri Kite,
Seiji Ogawa, Miyata-san, Setsuko Fuchigami, Shima-san, and Yoshimura-san.
Ultimately, I am indebted to my wife, Heather
Brownell, for her tireless and loving support, as well as her insights about the
future of design and technology in the workplace. This thesis is dedicated to her.
2Lerup,
Lars, from the Introduction to Architecture at Rice (Houston: RSA, 1993) p. 2
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