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Introduction

Acknowledgements

Preface

One

Suspending Judgment: The Post-Industrial City Transformed

The Japanese Urban Continuum

Industrial Archipelago

The Port of Nagoya

Interchange

Enterprise Zone

Terminal

Kinjo Pier Logistics Terminal

Interface

The Bridge of Hesitation

Strategies of the Void

Workplace

Two

Generic City

The Ville Radieuse Legacy

The Radiant City in Japan

Agents of Transformation and the "Death" of Urbanism

Nagoya’s New City

Mobility vs. Proximity

The Problem of Quantity

Preeminence of the Decorated Shed

Dead Space

Defunct Strategies

The Fourth Skin

Trauma of the New Interior

Death of the Façade

Zero-Degree Architecture

The Workplace Revisited

Three

Staging Uncertainty

Vivicities

Infratecture

Unveiling the Hidden Order

The New Fringe

Cité Post-Industrielle

Wiring the City

Complex Program

Eye of the Storm

In Place of the Public?

References

THREE

From the high balustrade of the palace the Great Khan watches his empire grow. First the line of the boundaries had expanded to embrace conquered territories, but the regiments’ advance encountered half-deserted regions, scrubby villages of huts, marshes where the rice refused to sprout, emaciated peoples, dried rivers, reeds. "My empire has grown too far toward the outside. It is time," the Khan thought, "for it to grow within itself," and he dreamed of pomegranate groves, the fruit so ripe it burst its skin, zebus browning on the spit and dripping fat, veins of metal surfacing in landslips with glistening nuggets.

Now many seasons of abundance have filled the granaries. The rivers in flood have borne forests of beams to support the bronze roofs of temples and palaces. Caravans of slaves have shifted mountains of serpentine marble across the continent. The Great Khan contemplates an empire covered with cities that weigh upon the earth and upon mankind, crammed with wealth and traffic, overladen with ornaments and offices, complicated with mechanisms and hierarchies, swollen, tense, ponderous.

"The empire is being crushed by its own weight," Kublai thinks, and in his dreams now cities light as kites appear, pierced cities like laces, cities transparent as mosquito netting, cities like leaves’ veins, cities lined like a hand’s palm, filigree cities to be seen through their opaque and fictitious thickness.111


111Calvino, Italo, Invisible Cities, Trans. William Weaver (Harvest/HBJ, 1972) p. 73

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A Master's Thesis in Architecture at Rice University by Blaine Brownell.

Copyright © 1998 by Blaine Brownell. All rights reserved.